The Music Note

While I have been to many Bryan Ferry solo shows over the last decade, I had never seen him play as part of Roxy Music, alongside fellow band members Andy Mackay, Phil Manzanera and Paul Thompson. I was therefore ecstatic when, earlier this year, it was announced that the band would be reuniting for an anniversary tour celebrating 50 years since the release of their self-titled debut album. Starting in America last month, the tour concluded last week with a run of shows in the UK (their first since 2011), culminating with a date at London’s O2 arena. Ferry has always incorporated a heavy mix of the Roxy catalogue into his solo shows, and while much of this material has taken on stripped back arrangements and relaxed tempos – perhaps to accommodate his softer vocal delivery in recent years – it was always a treat to hear favourites and unexpected rarities played in intimate venues with solid acoustics. With all this in mind, there was an element of concern mixed in with my excitement

Last week I saw Sting play the penultimate date of a six-night residency at the London palladium. The concerts, which had been rescheduled multiple times due to the pandemic, were in support of his 2019 release My Songs – an album featuring reworked versions of Sting’s most popular tracks, both as a solo artist and as part of The Police. Having followed the 2019 setlists for this tour, which mostly mirrored the album’s tracklist, I was initially expecting a similar “greatest hits” style setlist for the London dates. Then last year, Sting released a new studio album titled The Bridge , half of which is now being incorporated into the post-pandemic My Songs tour setlists. Accompanied by Ukrainian cellist Yaroslava Trofimchuk, Sting opened the set with a hauntingly sombre acoustic rendition of his 1985 song ‘Russians’, which has recently been re-released to raise funds for Ukraine charities. His band then joined the stage to launch straight into a blazing ‘Message in a Bottle’, and